Download Amedeo Modigliani, l'art du portrait et du nu: Entre by 50 minutes, Coline Franceschetto PDF

By 50 minutes, Coline Franceschetto

Décryptez l'art d'Amedeo Modigliani en moins d'une heure !
Figure éminente de los angeles bohème parisienne au tournant du XXe siècle, Amedeo Modigliani reste cependant en marge des avant-gardes de l'époque. Il élabore, dans une quête stylistique sans fin, des photographs épurés où se mêlent mélancolie et absence, mais aussi des nus qui créent le scandale. Entre culture et modernité, Modigliani invente un artwork inimitable et reconnaissable entre mille !

Ce livre vous permettra d’en savoir plus sur :
- Le contexte culturel dans lequel Amedeo Modigliani s’inscrit
- l. a. vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Modigliani
- Son influence dans l’histoire de l’art

Le mot de l'éditeur :
« Dans ce numéro de l. a. série "50MINUTES | Artistes", Coline Franceschetto se penche sur le parcours d'Amedeo Modigliani, cet artiste toscan qui établit ses quartiers à Paris à l'aube d'un siècle nouveau... "Nouveau", son artwork l'est aussi : analysant les thèmes de prédilection et le type si particulier de l'artiste, l'auteure nous fait pénétrer dans les méandres d'un paintings designated en son style. Coline Franceschetto étudie plus particulièrement certaines œuvres emblématiques de Modigliani, notamment La Juive ou Nu couché aux bras ouverts. »
Stéphanie Felten

À PROPOS DE l. a. SÉRIE 50MINUTES | Artistes
La série « Artistes » de l. a. assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à los angeles fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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PROLOGUE

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Previous perspectives. Fads and fancies. Definition. Confusions: homosexuality, kitsch, theatricality, dandyism, aestheticism, preciosity, pop, stylish. Origins and etymology.
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scandal, self-decoration, exclusivism. Divine decadence. Conformity.

MUMMY IS the basis OF ALL EVIL
Adolescence and exclusion. vainness and self-hatred. Selfcontrol and self-knowledge. Misanthropy. Misogyny and adoration. Bitchiness. Satiety. reveal. Escapism.
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CELEBRATION
Achievements. characteristics. Virtues. Delights.

my test at three hundred dpi, the OCR's double pages

Extra info for Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38)

Example text

Thomas Couture, the nineteenth-century French painter (who taught Édouard Manet and Henri Fantin-Latour, among others), recorded his most essential art lessons in a book called Conversations on Art Methods to pass on to young students. When Couture introduced the topic of seeing he promised to show his students what he sees (the beauty in art and nature), but with a caveat—he warned the student may in the end see…nothing. He wrote: “You are impatient and full of ardor…you believe that you are going to be astonished, intoxicated by what I show you; undeceive yourselves.

Org). 7 cm). ). org). Born in Maine, Eastman Johnson studied in Düsseldorf, Germany, and later in Paris with Thomas Couture. He was interested in furthering American painting and subject matter. Johnson lived through the Civil War; this painting captures the passion and emotion of a resilient people who faced hardship and separation. PROLOGUE But don’t be satisfied with stories, how things have gone with others. Unfold your own myth, without complicated explanation, so everyone will understand the passage, We have opened you.

The Metropolitan Museum of Art (New York, NY). org). Winslow Homer fused his lithography background with illustration to create compelling narrative work featuring heroic figures in nature. INTRODUCTION We work in the dark—we do what we can—we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art. —Henry James (from “The Middle Years”) I was recently heading out for an evening walk, and opened the door just as someone was ready to knock. ” My mind raced, trying to place who he was and what he wanted.

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