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By Martin Davies

Aldus Manutius (1449-1515) was once a member of the Manuzio family members, founders of the Aldine Press. lower than his course, the click undertook an unlimited application of constructing the written is still of Greek antiquity largely and systematically on hand to the scholarly public of Renaissance Europe. moreover, Aldus published many Latin and Italian texts in more affordable codecs within the well-known Aldine italic typeface. In commemoration of the quincentenary of Aldus's first book, this examine, copublished with the British Library, introduces the "prince of printers" in his a number of guises--as student, businessman, editor, and typographer. The superbly reproduced illustrations are drawn mostly from Aldines within the unmatched selection of the British Library.

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In the long explication o£ Festina Erasmus makes use of an ancient coin that lente ('hasten slowly'), for Bembo had example, given Aldus to tease out the suggestive design of the dolphin and anchor ; this provides the occasion for the remark that thanks to Aldus, the image is known and loved wherever good cherished, and for a prolonged puff of the Aldine programme in Hebrew is still mentioned, even a proposal to print in Syriac. The author made generous acknowledgement of the unfailing help of the members of the Aldine 'Academy' in supplying out of the way sources, often Greek and learning is general - from their We would own manuscripts.

Several factors We most part of an increasingly recherche nature. Works such as the Perotti and St Catharine showed the way to ready sales of Latin and vernacular texts. The only other edition Aldus issued in 1500 was a quarto Lucretius. Unlike most major Latin poets, Lucretius had not at that point attracted any tions, for the humanist commentary. His plain text in the Aldine makes a striking contrast to 40 TRANSIITADSPONSVMTRIBVSEXORNATACOROKIS 41 the sea of commentary that 19 Lucretius, 1500.

43 , PVMMANTVANf 8 V AtDVS STVOIOlrJ O MMI p . V • M 'HumUat - B V TITTRVS. cietera,

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