Download Acrylic Color Explorations: Painting Techniques for by Chris Cozen PDF

By Chris Cozen

Become aware of your real colour voice!

Acrylic colour Explorations could have you seeing the area round you in a brand new manner as colour thought turns into attractive, easy-to-understand and enjoyable. not just will you in attaining a easy knowing of colour and pigments, yet writer Chris Cozen also will advisor you thru a private exploration of colour in 30 routines utilizing acrylic paint.

Go past the red-yellow-blue knowing of the colour wheel through exploring the paintings of a number of artists who paintings with colour in exact methods. settling on whilst to introduce a soothing colour or while to show the colour quantity up is a ability that may be constructed via perform and goal, and with Acrylic colour Explorations you are going to the right way to do both!

• research 33 concepts for incorporating and constructing colour on your paintings.
• discover functional colour fundamentals with routines and colour demanding situations that can assist you be certain your colour "voice."
• become aware of secrets and techniques to gaining knowledge of any artistic colour scenario with nine contributing artists!
Embrace your actual colour voice this present day!

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Extra info for Acrylic Color Explorations: Painting Techniques for Expressing Your Artistic Voice

Sample text

2) Instead of Abne Cicogna gives Agne which seems to me more probably the correct reading. (") Cicogna, loco cit. VENICE AND THE NEIGHBOURI NG REGIONS. 49 Fig 26. Lorenzo Veneziano, Madonna, saints and angels, 1358. Accademia, Venice. Photo Anderson. IV 4 50 VENICE AND THE NEIGHBOURING REGIONS. of St. Catherine in the Accademia of Venice (no. 650, fig. 26) (1), in which the Virgin seated in glory slightly bends towards the Child, Who, looking up at His Mother, passes the ring on to the finger of St.

2) Instead of Abne Cicogna gives Agne which seems to me more probably the correct reading. (") Cicogna, loco cit. VENICE AND THE NEIGHBOURI NG REGIONS. 49 Fig 26. Lorenzo Veneziano, Madonna, saints and angels, 1358. Accademia, Venice. Photo Anderson. IV 4 50 VENICE AND THE NEIGHBOURING REGIONS. of St. Catherine in the Accademia of Venice (no. 650, fig. 26) (1), in which the Virgin seated in glory slightly bends towards the Child, Who, looking up at His Mother, passes the ring on to the finger of St.

Artists of the name ofGuglielmus are mentioned in Venetian documents of 1352, 1364 and 1367 (3). A Venetian painting of a slightly less Byzantine aspect is a triptych in the Gallery of Parma (no. 458) showing in the centre, above, the Crucifixion with a fairly large gathering under the Cross, and below, a half-length figure of the Virgin with the Child, while in the wings are depicted the Annunciation, the Assumption of Mary Magdalene and some figures of saints. It is not a work of very great importance and dates probably from about 1360 or 1370.

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